Saturday, June 13, 2009

The Elegant Universe



String theory is a developing branch of theoretical physics that combines quantum mechanics and general relativity into a quantum theory of gravity.[1] The strings of string theory are one-dimensional oscillating lines, but they are no longer considered fundamental to the theory, which can be formulated in terms of points or surfaces, too.
Since its birth as the dual resonance model which described the strongly interacting hadrons as strings, the term string theory has changed to include any of a group of related superstring theories which unite them. One shared property of all these theories is the holographic principle. String theory itself comes in many different formulations, each one with a different mathematical structure, and each best describing different physical circumstances. But the principles shared by these approaches, their mutual logical consistency, and the fact that some of them easily include the standard model of particle physics, has led many physicists to believe that the theory is the correct fundamental description of nature. In particular, string theory is the first candidate for the theory of everything, a way to describe all the known natural forces (gravitational, electromagnetic, weak and strong interactions) and matter (quarks and leptons) in a mathematically complete system.

Saturday, June 6, 2009

With Sun Giant


The Fleet Foxes, on the other hand, have struck that vein dead on. With Sun Giant, as I'm sure their up and coming album will, they haven't merely rehashed old sounds, they have given the old sounds a new edge. Mykonos has to be their greatest achievement in this album, but every song is epic and beyond the years of such a young band. Sure they've got their heads in the clouds, but they're likewise grounded. Their sound goes back to the basics, and by so doing, is able to support the lofty harmonies, weaving rounds, and ambitious compositions. Whatever their future in music holds, I can tell from these five songs that it's going to be bright. I'm rarely a loyalist to any particular group or musician, but they have a returning listener in me.
1. Sun Giant
2. Drops in the River
3. English House
4. Mykonos
5. Innocent Son

Sorry, I couldn't resist. I just wanted to see some angry fleet foxes fans!


Looking at some of the more negative reviews, it seems that a bit criticism of Fleet Foxes is a lack of originality. I think that the point is correct, to an extent, but don't let it deter you from getting the record. If you're looking for an experimental band, Lightning Bolt, the Boredoms, or even Animal Collective are where there's a lot of great innovation in pop. However, Fleet Foxes aren't trying to experiment with the boundaries of what listeners will put up with, let alone enjoy. No, this record is recorded to be beautiful, not new. In that respect, it succeeds.
The best way I can think to describe the sound of the music is to say that it's the kind of album I'd listen to on a warm autumn night where the leaves aren't quite falling from the trees. Lyrically, it's vastly superior to other breakout bands from 2008. Vampire Weekend, which was the band of the month it seems from January '08 until God knows when has no depth to their lyrics. This criticism cannot be leveled at Fleet Foxes in the same manner. Given, a song like the opening "Sun it Rises" or the popular "White Winter Hymnal" aren't exactly brilliant. However, if you look to tracks like "Tiger Mountain Peasant Song" or "Oliver James," you'll find beautiful, if chilling lyrics, with the specter of mortality running through them.
1. Sun it Rises, 2. White Winter Hymnal, 3. Ragged Wood, 4. Tiger Mountain Peasant Song, 5.Quiet Houses, 6. He Doesn't Know Why, 7. Heard Them Stirring, 8. Your Protector, 9.Meadowlarks, 10. Blue Ridge Mountains, and 11. Oliver James.

Thursday, June 4, 2009

Lifeline by Neal Morseby

For those of you who are familiar with Morse's work then picking this up is a no brainer. It's progressive and it's Neal, so what could be wrong with that. At first listen, this album has all of the characteristics of Spock's Beard and Transatlantic so can anything be wrong with that? I would say not, but after some more listening time I would tend to agree with the other reviewer that Neal has done this before, but it's no different here than picking up the latest Journey album. Been there, done that also because that's the genre they're in. So, Neal isn't going to stray too far from the formula he knows and has done for years. Not to say that this isn't a killer album and doesn't blow away anything in the mainstream Christian market. It certainly does. The three tracks, Lifeline, Leviathan, and So Many Roads are the prog pieces of the album. While the other tracks are good, they are more to the worship side of things and a lot more mellow. But I think Neal is proclaiming his faith here and that's why they're included. I saw a little more "Jesus" referenced in this album than previous and that's his right. After all, he is a Christian and how else does he proclaim his faith other than sharing it with you in the songs. So, I wouldn't expect anything different going forward and maybe more in your face about Neal's faith. While I love the songs he did with Transatlantic and the evident spirituality in those songs which I think were some of his best, this album still delivers. It just delivers in a different way. I would love to see songs like "We All Need Some Light" or "Bridge Across Forever" in further outings from Neal. Without putting his faith in your face those songs make quite a huge statement, bar none to what he has done since.

Overall, a solid effort here (Between 4 and 5 stars) and this review is only for the 'Lifeline' album, not the bonus disc that is also available.
1. Lifeline
2. Way Home
3. Leviathan
4. God's Love
5. Children of the Chosen
6. So Many Roads: So Many Roads/Star for a Day/The Humdrum Life/All the Wa
7. Fly High

LCD Soundsystem

I was exposed to LCD Soundsystems when I was in Portugal maybe late 2007, After working on some home work I would reward myself with a glass of wine and listen to a great radio show ¨NOITES DE VIGÍLIA¨, hosted by Emanuel Juanito who. I would record what ever i liked than do some research on the artist. This was always kinda of a gamble. Later on I stated getting all the info on the radio shows´ Website, Which was great. you can check out there site. http://tv1.rtp.pt/programas-rtp/index.php?p_id=1190&e_id=&c_id=9&dif=radio&hora=20:00&dia=05-06-2009
I'm by no means an expert on how to appreciate music, but I must say I was really impressed with Sound of Silver's quality. There were a few songs that I enjoyed from LCD Soundsystems first release, but those took a bit of time for me to get into. Sound of Silver got me right from the start in a way I haven't experienced from a CD for some time. Normally I expect to have to give some time for a CD to grow on me, but this one didn't require any extra effort. Having said that, I know a few of the songs will not have a great deal of staying power in my "everyday playlist", but enough of them do that I would strongly recommend this CD. "Get Innocuous!", "North American Scum", and "All My Friends" all deserve the positive attention they've been given and I know I will continue to enjoy them for years to come.
1. Get Innocuous!
2. Time To Get Away
3. North American Scum
4. Someone Great
5. All My Friends
6. Us V Them
7. Watch The Tapes
8. Sound Of Silver
9. New York, I Love You But You're Bringing Me Down

Zeitgeist

First off, I recommend that everyone watch this film - not because it will change your world view forever (thought it might) or that you should live in fear and anguish (or open revolutionary rebellion) and certainly not to believe everything as absolute truth - but simply because it may educated you on some historically significant ideas and actions that may enlighten you enough to encourage further investigation.
The first section, which offers a view of the Jesus myth, is an honest rethinking backed by significant data, but I believe this data was a manipulated to discredit Jesus as a historical character in order to discredit the establish church. I my self do not believe in the establish church or any religious institution, however I do believe in the historical character of Jesus Christ. If you are a christian you don't have to worry a little research will help you debunk the Jesus myth. I have been exposed to teleology my whole life and have been extremely educated on this subject and was not surprised by the information that was given. Let me point out what may have been a intentional mistake to discredit Jesus as a historical character. the film suggests that PLINY THE YOUNGER: (112 A.D.), TACITUS: (55-117 A.D.), and LUCIAN: (120-180 A.D.) do not provide enough or substantial fact and so discredit Jesus' historical figure, quoting "each one of there entries consists of only mere sentences as best and only refer to Christ, Chrestus, Christus, which in fact is not a name but a title which means the anointed one" end of quote.
that is a false statement. Pliny, Tacitus, and Lucian provide more than just names:

TACITUS: (55-117 A.D.)
Cornelius Tactitus is regarded as the greatest historian of ancient Rome. Writing on the reign of Nero, Tacitus alludes to the death of Christ and to the existence of Christians in Rome.
"Consequently, to get rid of the report, Nero fastened the guilt and inflicted the most exquisite tortures on a class hated for their abominations, called Christians by the populace. Christus, from whom the name had its origin, suffered the extreme penalty during the reign of Tiberius at the hands of one of our procurators, Pontius Pilatus, and a most mischievous superstition, thus checked for the moment, again broke out not only in Judea, the first source of the evil, but even in Rome, where all things hideous and shameful from every part of the world find their centre and become popular."

PLINY THE YOUNGER: (112 A.D.)
Governor of Bithynia in Asia Minor, Pliny wrote a letter to the Emperor Trajan regarding how to deal with Christians who worship Christ. These letters concern an episode which marks the first time the Roman government recognized Christianity as a religion separate from Judaism, and sets a precedent for the massive persecution of Christians that takes place in the second and third centuries.
"They (the Christians) were in the habit of meeting on a certain fixed day before it was light, when they sang in alternate verses a hymn to Christ, as to a god, and bound themselves by a solemn oath, not to any wicked deeds, but never to commit any fraud, theft or adultery, never to falsify their word, nor deny a trust when they should be called upon to deliver it up; after which it was their custom to separate, and then reassemble to partake of food--but food of an ordinary and innocent kind."

LUCIAN: (120-180 A.D.)
A Greek satirist that spoke scornfully of Christ and Christians, affirming that they were real and historical people, never saying that they were fictional characters.
"The Christians, you know, worship a man to this day--the distinguished personage who introduced their novel rites, and was crucified on that account....You see, these misguided creatures start with the general conviction that they are immortal for all time, which explains the contempt of death and voluntary self-devotion which are so common among them; and then it was impressed on them by their original lawgiver that they are all brothers, from the moment that they are converted, and deny the gods of Greece, and worship the crucified Christos sage, and live after his law.

Another Roman writer who shows his acquaintance with Christ and the Christians is Suetonius (A.D. 75-160). It has been noted that Suetonius considered Christ (Chrestus) as a Roman insurgent who stirred up seditions under the reign of Claudius (A.D. 41-54): "Judaeos, impulsore Chresto, assidue tumultuantes (Claudius) Roma expulit" (Clau., xxv). In his life of Nero he regards that emperor as a public benefactor on account of his severe treatment of the Christians: "Multa sub eo et animadversa severe, et coercita, nec minus instituta . . . . afflicti Christiani, genus hominum superstitious novae et maleficae" (Nero, xvi). The Roman writer does not understand that the Jewish troubles arose from the Jewish antagonism to the Messianic character of Jesus Christ and to the rights of the Christian Church. -- New Advent.

BABYLONIAN TALMUD: (Completed in the 6th Century A.D.)
The Babylonian Talmud is a Rabbinic commentary on the Jewish scriptures (Tanach: Old Testament). They are a look into what a hostile source was saying about Jesus. They couldn't deny his miracles so they claim that it was sorcery rather than admit to what was a known fact. They also admit that Yeshu (Hebrew for Jesus) was hanged (Crucified: Luke 23:39, Galatians 3:13).
"On the eve of the Passover Yeshu was hanged. For forty days before the execution took place, a herald went forth and cried, "He is going forth to be stoned because he has practiced sorcery (an admission of his miracles) and enticed Israel to apostasy. Any one who can say anything in his favor, let him come forward and plead on his behalf." But since nothing was brought forward in his favor he was hanged on the eve of the Passover!"
The Babylonian Talmud, vol. III, Sanhedrin 43a.

I would also like to point out that the historicity of Alexander the Great and his military conquests is drawn from five ancient sources, none of whom were eyewitnesses. Although written 400 years after Alexander, Plutarch’s Life of Alexander is the primary account of his life.

Since Plutarch and the other writers were several hundred years removed from the events of Alexander’s life, they based their information on prior accounts. Of the twenty contemporary historical accounts on Alexander, not one survives. Later accounts exist, but each presents a different “Alexander,” with much left to our imagination. But regardless of the time gap of several hundred years, historians are convinced that Alexander was a real man and that the essential details of what we read about his life are true.

Keeping Alexander as a reference point, we’ll note that for Jesus there are both religious and secular historical accounts. even skeptics must not dispute that Jesus Christ really lived.

In spite of skeptic’s views, and those of a few other fringe scholars, the consensus of most historians is that the Gospel accounts give us a clear picture of Jesus Christ. Whether the New Testament accounts are trustworthy is the subject of another article and debate, so we will look to non-Christian sources for our answer as to whether Jesus existed. and there is a lot to account for.

I think the film dose not negate any of the spiritual teachings of any religion or spiritual practice but simply questions whether anyone should take a literal interpretation and adopt it as a guide to truth and life. A fair question. I also believe that it is an attempt to discredit the established church namely the catholic roman church, as part of corporate tyrannical institutions that in my opinions have nothing to do with the poor Jewish carpenter, who's agendas was extremely simple and very different from the agendas of the established church.

The "fear" section (II) is completely viable. There are too many unanswered questions regarding the FACTS surrounding the 9/11 attack to be ignored. Michael Ruppert's "Crossing The Rubicon" is a great way to get most of the disturbing but accurate details.
There is a paranoid aspect to the final moments (perhaps justified) about microchip implantation into the masses, but the work covering the economic history of our country is true. As is the part on war creation. I wish he had skipped to futuristic chip stuff and instead covered more about the rise of disaster capitalism. Read Naomi Klien's "The Shock Doctrine" - essential reading.

Watch this movie with on open, curios and skeptical mind and use it as a springboard to further inquiries. Get Smart!

Wednesday, June 3, 2009

Before the Dawn Heals Us

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I thought this was absolutely wonderful. It is rare these days that a CD contains more then 4 great songs and this one definitely does. It's somewhat `This Mortal Coil' meets `Pink Floyd'. I am tired of the same old American Pop-Rap stuff we are being fed and this was very refreshing. The best songs are `Don't save us from the flames',`Safe', `Moon child', `In the Cold I'm Standing' and `Farewell Goodbye'. I agree it's different from the other M83 albums but I prefer this one. If you like this also check out Cyann & Ben, Lily Chou-Chou (Japanese Import), Mum, This Mortal Coil, Sigur Ros, & Emiliana Torrini (her older stuff).
1. Moonchild
2. Don't save us from the flames
3. In the cold I'm standing
4. Farewell / Goodbye
5. Fields, shorelines and hunters
6. *
7. I guess I'm floating
8. Teen angst
9. Can't stop
10. Safe
11. Let men burn stars
12. Car chase terror!
13. Slight night shiver
14. A guitar and a heart
15. Lower your eyelids to die with the sun